Christa Pike is the first woman to face execution in Tennessee since 1819. But according to ᴀssistant Federal Defender Stephen Ferrell, there’s one thing she fears more than death itself.
At just 18 years old, Pike was convicted of the murder of her classmate Colleen Slemmer, 19. At the time, she was a student at the Job Corps career-training center in Knoxville, Tennessee, where she was dating fellow student Tadaryl Shipp, 17.
Their relationship led to her involvement in the brutal torture and murder of Slemmer, whom she reportedly saw as a romantic rival. In March 1996, Pike was sentenced to death after being found guilty of first-degree murder and conspiracy to commit murder.
Now, the 50-year-old is set to die by lethal injection, on September 30, 2026.
“I know I said I believed a date would never be set, but now that one has been set, it’s like a roulette wheel of thought and your actual brain is the ball bouncing around,” she said in a new YouTube documentary тιтled Christa Pike’s Last Fight to Stop Her Execution.
Pike has also described suffering from “horrible nightmares” as the execution date approaches.
“My nerves are shredded. When I do sleep, my brain eats itself,” she says.
Christa Pike execution date
Her legal team has filed a 226-page clemency peтιтion seeking to have her death sentence replaced with life without parole. They have argued that her history of childhood abuse, mental health diagnoses and decades spent in solitary confinement should be taken into consideration.
Pike’s attorneys have also raised concerns about the way a lethal injection could affect Pike because she suffers from thrombocytosis, a blood-clotting disorder, arguing that the procedure could be “prolonged and agonizing.”
Her lawyers are also challenging the state’s lethal injection procedures, including how officials would handle the situation if they cannot quickly find a suitable vein for the IV.
ᴀssistant Federal Defender Stephen Ferrell told NewsChannel 9 that Pike has previously had problems with blood draws. According to her attorney, she is particularly concerned about the possibility of needing a central line during the execution.
He explained: “Her biggest fear is not the fear of dying. It’s the fear of that process,” according to Tyla, adding that “if it’s quick and painless, she can accept that.”
“I think she should pay for it”
Despite the efforts from her legal team, however, experts have stated that Pike would lose consciousness within 20-30 seconds after receiving the injection, before she’s able to feel any pain.
The court also noted that she had not provided sufficient evidence to establish that her veins were too small for an IV.
The mother of Colleen Slemmer, May Martinez, said on Knoxville TV station WBIR a few years back saying: “She did the crime. I think she should pay for it,” adding: “I would feel better that she felt the same pain that Colleen did.”
Earlier this week, she confirmed in an interview with the BBC that she still stands by those comments.
As of now, her execution is still scheduled for September 30.
💔 STELLA PARTON BREAKS HER SILENCE — What She Said About Dolly’s Health Has Fans Looking Back
Dolly Parton’s Sister Breaks Silence What Really Happened - GMT - G1
Stella Parton was born May 4, 1949, the sixth of twelve children raised by Robert Lee and Avie Lee Parton in Sevierville, Tennessee — a household defined by noise, limited money, and almost no privacy, the kind of environment that produced strong, determined personalities.
Stella was one of them.
By seven, she was appearing alongside her older sister Dolly on a Knoxville television program; by her teens, she was writing her own songs, though marriage and motherhood pulled music to the margins of her life for a stretch.
The dream never fully disappeared.
In 1967, she recorded a gospel album with her mother and sisters, and later worked clubs in Washington, D.C., before founding her own record label in 1975 and releasing “I Want to Hold You in My Dreams Tonight,” which climbed to number nine on the country charts.
Long before any of that commercial success, Stella had already shown a willingness to take positions others avoided.
At 26, amid backlash against Australian singer Olivia Newton-John for winning recognition in country music, Stella recorded “Ode to Olivia” in her defense — a stand that offered her no career benefit and real risk of criticism, but one she took anyway simply because she believed staying silent was the wrong choice.
That instinct defined the rest of her career: hits like “The Danger of a Stranger” and “Steady as the Rain” (written by Dolly) built a genuine, independent following, including in the U.K., while Stella also worked in New York theater and spoke openly, often controversially, about poverty, domestic violence, and the treatment of women in the music industry.
She was named the Christian Country Music Association’s Female Vocalist of the Year in 2004.
Through all of it, she remained defined publicly, more often than not, as simply “Dolly’s little sister” — a label she spent five decades quietly proving didn’t tell the full story.
That same directness is why her comments in the fall of 2025 carried real weight.
Stella had never positioned herself as the family’s image manager or spokesperson; she was, by reputation, someone who believed difficult truths shouldn’t stay hidden indefinitely.
What she described wasn’t dramatic or accusatory — it was a portrait of a woman who had spent years prioritizing everyone else’s needs over her own.
The context mattered.
Carl Dean, Dolly’s husband of nearly sixty years, died in March 2025 at 82, after a long illness during which Dolly had devoted herself almost entirely to his care.
She later acknowledged that in the process, she’d neglected her own health significantly.
The loss reverberated through the whole extended family — the Partons had lost three brothers in the years surrounding this period, compounding grief that, for a family that had once crowded twelve children into a single small home, meant losing pieces of a shared childhood one after another.
Stella herself went seven years without releasing new music during this stretch, later describing the period simply as one shaped by sorrow, while still speaking about the importance of finding moments of laughter within it.
Looking back, one moment reads very differently in hindsight than it did at the time: in late September 2025, Dolly postponed her planned Las Vegas residency, citing health challenges — a rare cancellation for a performer whose six-decade career had included very few of them.
At the time, most fans treated it as a minor, temporary setback.
Stella’s later reflections suggested the signs had actually been building for some time, visible to family in ways the public smile made easy to miss.
That concern crystallized publicly not long after, when Dolly’s younger sister Frieda posted a simple request on Facebook asking fans to pray for Dolly.
What looked at first like an ordinary, well-meaning gesture spread rapidly, sparking widespread speculation about how serious Dolly’s condition actually was.
Dolly herself responded directly within days, appearing in a video from a Grand Ole Opry commercial shoot, insisting with her familiar humor that she wasn’t finished yet — the now widely remembered “I ain’t dead yet” moment that briefly quieted public concern.
In the months that followed, the pattern repeated: reassuring updates about kidney stones, dehydration, and treatment, paired with continued work on new projects, right up until Dolly Parton’s death on August 25, 2026, at 80.
Looking back across that full timeline — the postponed residency, the family’s public worry, Stella’s own account of a sister who consistently deprioritized her own wellbeing — it becomes easier to see what the people closest to Dolly understood well before the rest of the world did: that the warmth and resilience the public saw every time she appeared on camera came at a real, largely invisible cost.
