The dєath of Mississippi teen Nolan Wells has left his closest friends grieving and searching for answers, but they say the loss has also deepened their faith and brought them closer to God.
“I learned to lean on the Lord,” Warren Hudson, one of Wells’ friends, told Fox News’ Kayleigh McEnany in an exclusive interview. “I know my friends did as well. And I know that’s what Nolan would want me to do.”
Another friend, Jax Pitalo, described Wells’ dєath as a turning point for the group.
“Right after the first three days or so, I was like, if this did anything, it got us all closer to God,” Pitalo said.
Wells, 18, disappeared July 4 after taking a boat trip with a group of friends to Horn Island, a barrier island off Mississippi’s Gulf Coast. Search crews combed the area for two days before a National Park Service ranger discovered his body at the island’s northwestern tip on July 6.
Months later, a Jackson County, Mississippi, grand jury returned a “no true bill” in Wells’ dєatᩚh investigation, declining to indict anyone after finding insufficient evidence of criminal wrongdoing. The grand jury found his dєatᩚh was consistent with drowning.
But for the friends who knew Wells long before his dєatᩚh became the subject of headlines and online speculation, the months since have been about grieving someone they loved while leaning more deeply into their Christian faith.
“We started going to church more,” Morgan Seymour, a third friend, told McEnany. “Everything from that moment on was like for God, for Jesus,” he continued, prompting Hudson to add, “For Nolan.”
McEnany said the young men have faced intense online scrutiny and accusations in the months since Wells’ dєatᩚh, even as they attempted to process the loss.
“These young men, unfortunately, were demonized and dragged through a lot, and they loved Nolan,” McEnany told “Fox & Friends Weekend,” noting that one had been friends with Wells since elementary school.
The scrutiny intensified as theories about Wells’ disappearance spread online, including unsubstantiated claims that his friends were responsible for his dєatᩚh and that the incident was racially motivated.
Jackson County District Attorney Angel Myers McIlrath said, however, that the grand jury found “absolutely no evidence” to support allegations that Wells’ dєatᩚh was motivated by race.
“Nolan’s friends loved Nolan and Nolan loved them,” McIlrath said following the grand jury’s decision. “Nolan chose to stay on the island that day, and there is not a scintilla of evidence to contradict that.”
Wells’ family and civil rights attorney Ben Crump have challenged the grand jury’s decision, pointing to bruising and blunt-force injuries described by the family’s independent pathologist and calling for further investigation into how he died, including an independent federal review by the Justice Department.
💔 STELLA PARTON BREAKS HER SILENCE — What She Said About Dolly’s Health Has Fans Looking Back
Dolly Parton’s Sister Breaks Silence What Really Happened - GMT - G1
Stella Parton was born May 4, 1949, the sixth of twelve children raised by Robert Lee and Avie Lee Parton in Sevierville, Tennessee — a household defined by noise, limited money, and almost no privacy, the kind of environment that produced strong, determined personalities.
Stella was one of them.
By seven, she was appearing alongside her older sister Dolly on a Knoxville television program; by her teens, she was writing her own songs, though marriage and motherhood pulled music to the margins of her life for a stretch.
The dream never fully disappeared.
In 1967, she recorded a gospel album with her mother and sisters, and later worked clubs in Washington, D.C., before founding her own record label in 1975 and releasing “I Want to Hold You in My Dreams Tonight,” which climbed to number nine on the country charts.
Long before any of that commercial success, Stella had already shown a willingness to take positions others avoided.
At 26, amid backlash against Australian singer Olivia Newton-John for winning recognition in country music, Stella recorded “Ode to Olivia” in her defense — a stand that offered her no career benefit and real risk of criticism, but one she took anyway simply because she believed staying silent was the wrong choice.
That instinct defined the rest of her career: hits like “The Danger of a Stranger” and “Steady as the Rain” (written by Dolly) built a genuine, independent following, including in the U.K., while Stella also worked in New York theater and spoke openly, often controversially, about poverty, domestic violence, and the treatment of women in the music industry.
She was named the Christian Country Music Association’s Female Vocalist of the Year in 2004.
Through all of it, she remained defined publicly, more often than not, as simply “Dolly’s little sister” — a label she spent five decades quietly proving didn’t tell the full story.
That same directness is why her comments in the fall of 2025 carried real weight.
Stella had never positioned herself as the family’s image manager or spokesperson; she was, by reputation, someone who believed difficult truths shouldn’t stay hidden indefinitely.
What she described wasn’t dramatic or accusatory — it was a portrait of a woman who had spent years prioritizing everyone else’s needs over her own.
The context mattered.
Carl Dean, Dolly’s husband of nearly sixty years, died in March 2025 at 82, after a long illness during which Dolly had devoted herself almost entirely to his care.
She later acknowledged that in the process, she’d neglected her own health significantly.
The loss reverberated through the whole extended family — the Partons had lost three brothers in the years surrounding this period, compounding grief that, for a family that had once crowded twelve children into a single small home, meant losing pieces of a shared childhood one after another.
Stella herself went seven years without releasing new music during this stretch, later describing the period simply as one shaped by sorrow, while still speaking about the importance of finding moments of laughter within it.
Looking back, one moment reads very differently in hindsight than it did at the time: in late September 2025, Dolly postponed her planned Las Vegas residency, citing health challenges — a rare cancellation for a performer whose six-decade career had included very few of them.
At the time, most fans treated it as a minor, temporary setback.
Stella’s later reflections suggested the signs had actually been building for some time, visible to family in ways the public smile made easy to miss.
That concern crystallized publicly not long after, when Dolly’s younger sister Frieda posted a simple request on Facebook asking fans to pray for Dolly.
What looked at first like an ordinary, well-meaning gesture spread rapidly, sparking widespread speculation about how serious Dolly’s condition actually was.
Dolly herself responded directly within days, appearing in a video from a Grand Ole Opry commercial shoot, insisting with her familiar humor that she wasn’t finished yet — the now widely remembered “I ain’t dead yet” moment that briefly quieted public concern.
In the months that followed, the pattern repeated: reassuring updates about kidney stones, dehydration, and treatment, paired with continued work on new projects, right up until Dolly Parton’s death on August 25, 2026, at 80.
Looking back across that full timeline — the postponed residency, the family’s public worry, Stella’s own account of a sister who consistently deprioritized her own wellbeing — it becomes easier to see what the people closest to Dolly understood well before the rest of the world did: that the warmth and resilience the public saw every time she appeared on camera came at a real, largely invisible cost.
